Thursday, September 25, 2008

Edmund Blair Leighton Off painting

Edmund Blair Leighton Off paintingFrancois Boucher The Marquise de Pompadour paintingFrancois Boucher Nude on a Sofa painting
twiddled a new-fangled fountain pen; a multiplicity of pencils protruding from his breast pocket and his face seemed to suggest that he expected one of the telephones on his desk to ring at any moment with a message about something far more important than the matter under discussion; he was for all the world, Scott-King thought, like the clerk in the food office at Granchester.
Scott-King’s had been lived far from chanceries, but once, very many years ago at Stockholm, he had been asked to luncheon, by mistake for someone else, at the British Embassy. Sir Samson Courtenay had been chargĂ© d’affaires at the time and Scott-King gratefully recalled the air of nonchalant benevolence with which he had received a callow undergraduate where he had expected a Cabinet Minister. Sir Samson had not gone far in his profession but for one man at least, for Scott-King, he remained the fixed type of English diplomat.

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