Gogh Starry Night over the Rhone painting

Gogh Starry Night over the Rhone painting
Gogh Irises painting
Morisot Boats on the Seine painting
abstract 91152 painting
in those days, and as hardly a week passed without some coiner being boiled alive, some witch hanged, or heretic sent to the stake at one or other of the numberless “justices” of Paris, people were so accustomed to see the old feudal Themis at every crossway, her arms bar and sleeves rolled up, busy with her pitchforks, her gibbets, and her pillories, that scarcely any notice was taken of her. The beau monde of that age hardly knew the name of the poor wretch passing at the corner of the street; at most, it was the populace that regaled itself on these gross viands. An execution was one of the ordinary incidents of the public way, like the brasier of the pie-man or the butcher’s slaughter-house. The executioner was but a butcher, only a little more skilled than the other.
Phœbus, therefore, very soon set his mind at rest on the subject of the enchantress Esmeralda, or Similar, as he called her, of the dagger-thrust he had received from the gipsy or the spectre-monk (it mattered little to him which), and the issue of the trial. But no sooner was his heart vacant on that score, than the image of Fleur-de-Lys returned to it— for the heart of Captain Phœbus, like Nature, abhorred a vacuum.